chaplin
 
Photo Essays
1. Exile’s Return
2. Chaplin’s Parents
3. Hannah Chaplin’s Femmes Fatales
4. Playing Dress-Up  In The Land of Make Believe
5. Teenage Girls and Fear of Aging
6. Chaplin’s Three Teenage Wives
7. Mildred Harris
8. Lita Grey
9. Oona O’Neill
10. Chaplin’s Father
11. A Royal Lion
12. Vesta Tilley as Bertie
13. Ella Shields as Bertie
14. Making A Living
15. The Lion Comique’s Son: Dressed Like A Bum
16. Monsieur Verdoux as a Lion Comique
17. Calvero as a Lion Comique
18. The Lion Comique’s Son in the Limelight
19. Charlie as a Child
20. The Kid’s Lucky Break
21. Syd Chaplin
22. A Family Album of Theatrical Drunks
23. Chaplin’s Family Romance
24. Edna Purviance
25. Purviance’s Influence on Chaplin’s Character
26. Essanay
27. Chaplinitis
28. Chaplin’s Predecessors
29. Eye Contact: Audience-Performer Intimacy
30. Chaplin the Auteur
31. Chaplin’s Two Autobiographies
32. Going It Alone
33. The Circus
34. Autobiographical Starvation Scenes From The Gold Rush
35. Autobiographical Madness Scenes in Modern Times
36. Two British Music Hall Traditions and Topical Comedy
37. The Great Dictator
38. Fatal Attraction: Joan Barry
39. Monsieur Verdoux: Guillotine or Hatchet Job?
40. Limelight
 
Chaplin: A Life In Film
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 The Circus
 
©Roy Export
 
Jeffrey Vance Collection
©Roy Export

Upper left photo: earliest photograph of Charlie (in center) at grammar school. Upper right photo: Charlie and Jackie as a pair of streetwise tricksters “dodging the bobbies” in the film, The Kid. Bottom photo, Charlie and Jackie Coogan on the set of The Kid (ca.1920).

“There is something about that boy that always makes me feel like crying. I don’t know why, for he seems so happy and gay”: Chaplin told Sam Goldwyn. Like Charlie at roughly the same age, Jackie Coogan was a precocious mimic and son of two semi-successful vaudevillians. As the result of the virtuoso performance that Chaplin lovingly coaxed out of Coogan in The Kid, Jackie immediately became the most famous and beloved child actor in the world.

What made Chaplin, the grief-stricken director, feel like crying as he worked daily with this gifted child actor were the recent loss of his own infant son and the fact that Jackie reminded him so much of himself and the London childhood they re-lived together in this film. As an onscreen pair of urban hustlers struggling to survive, Charlie and Jackie relived Chaplin’s nostalgically romanticized recollections of his picaresque boyhood adventures as a South London slum urchin tagging along as the sidekick and boon companion to his streetwise big brother Syd, who looked after him and taught him the ropes.


Those hilarious experiences were followed abruptly, in real life, by Charlie’s traumatic experience of being shipped off to a charity orphanage where he was institutionalized for eighteen months (from the age 7 to 8 ½).



(See Chaplin A Life for details). After completing this first feature-length film, Chaplin--the former Cockney ragamuffin and grammar school dropout who had clawed his way up from the slums of London--returned triumphantly to England to premier his autobiographical masterpiece and to re-explore nostalgically his old neighborhood haunts.


From the moment the conquering hero and native son set foot on English soil, he received a greeting fit for a king from unprecedented mobs of adoring well wishers—as well as banner headlines in the London tabloids hailing him as King Charles--the undisputed king of comedy.

LOST IN THE CROWD, CHAPLIN IN CENTER OF PHOTO

Jeffrey Vance Collection
 
 

 
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All images from Chaplin films made from 1918 onwards, Copyright © Roy
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